Lonely Barn
I shot this out near Dorchester, TX. I think it reflects the heat of this summer. The brittle corn stalks, a puple sky and wind like a hairdryer. (Of course you can't see the wind, but it seems that way, doesn't it?)
The writings, ravings and sometimes shallowdeep thoughts of a musician, tv producer, radio announcer and commercial writer. Although this site is mostly of a content toward music and technology, I really think that bluegrass, the Food Network, rollerball pens and garlic make the world go round. I also think we are in the midst of technological revolution that is changing the way we do things faster than we realize. Keep watching, there's film at eleven.
I shot this out near Dorchester, TX. I think it reflects the heat of this summer. The brittle corn stalks, a puple sky and wind like a hairdryer. (Of course you can't see the wind, but it seems that way, doesn't it?)
I wanted to share a few of my recent photos while they are still in season. This is a Jacobs Coat rose that we installed back in April. Ms. has been keeping it pruned and it's trying to put on new growth. In this Texas heat it's remarkable that it looks this good. I took this the day after this bloom came on. Otherwise the heat and wind would have whisked it away. Beautiful rose.
Here is a inspiring quote from Chris Thile regarding his new cd out in September. He's taken the music back to the basics he grew up on. He reflects on a short comparison between the great Nickel Creek and his new endeavor. This is interesting, especially if you are a musician:
Nashville is such as cool place. It's changed so much over the years. Very progressive. I hated to leave but sure was looking foward to getting home.
I'm in Nashville Tennessee tonight, setting in a hotel room downtown, about 6 blocks from the Ryman Auditorium, The Ernest Tubb Record Shop and all the other historical marks in Music City. It's been 24 years since I've been here. The last visit entailed performing on WSM's Midnight Jamboree following the Grand Ole' Opry broadcast. We were live from the ET Record Shop near the Opryland Mall, I remember that it snowed that night as we played before a crowd of around 250 and a radio crowd of tens of thousands. I'll never forget it.
So I picked up a Leo Fender 5 string from a friend of mine over the holiday. I am actually bringing it back to Texas for someone else to look at. It's a 1978 model, still in the original Fender yellow fir lined case. It sit idle in the back of some music store in Indiana for it's entire life. No one had ever played it before last fall when I found it at the Arlington guitar show. My friend who is a dealer and luthier wanted to take a look at this instrument I was having a fit over (I don't really like banjos, I just play them), as I'm not impressed very often. He ended up buying it from the other dealer, turned it the next week and ended up buying it back from a gentleman who had too many banjos and needed to liquify. The man who he bought it back from had changed the pot and tone ring out to a Snuffy Smith setup with an arched top. To those who read 5stringking but don't know about the banjo, an archtop actually has a raised ring around the outer parameter of the head (the big white thing). This allows a more treble, but louder sound. Basically, I want the banjo. The problem is $$. I kinda hope the guy I'm showing to doesn't take it and I still have a crack at it months down the road. It's been 30 years since I actually owned two 5 strings. As I said, I don't really like them anyway.
I played the little Opry last night with the "Odds and Ends" band. We had a small crowd of about 30 or so, but the music was pretty good. I've brought back a couple of my older songs that I had forgotten about. The crowd seems to like them, but our keys are off. I've got to adjust, but when I do it's going to throw the tenor out because no one can reach it.